Life of a Superstar

Careers, told properly.

Stardom studied

The Anti-Hero and the Audience That Roots Anyway

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Photo: (L-R) Alan Bates & Joanna Pettet on Broadway in "Poor Richard" (1964) by Samuel Lurie (Public domain), via Openverse

Performers who build significant careers playing morally compromised characters often develop a distinctive kind of stardom, one built less on likability than on a magnetic, complicated presence that keeps audiences emotionally invested even when a character's actions are difficult to genuinely defend or admire outright, however the surrounding season's competition happened to shape up.

This particular skill requires considerable technical control, since the performer must find a way to make an audience understand a character's internal logic without necessarily asking that audience to approve of it, a genuinely delicate balance that many performers spend years learning to strike consistently, regardless of how quickly the surrounding technology moved on.

Success in this mode often earns a specific kind of critical respect, distinct from the broader affection given to more conventionally likeable leading roles, recognition that finding genuine humanity in a difficult character is its own considerable, hard won achievement within the craft, however the paperwork happened to be filed at the time.

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Printed from Life of a Superstar. Sources for this article are listed at the end of the page.